“Parasite, the first foreign language film to win the Academy Award for best picture, and the first to be condemned in public by a U.S. president, is a story of poverty and inequality. The movie, which is also the first Korean movie to win an Oscar, is centered […]
In normal times, I’d be writing about ten comics I read that I liked this year and haven’t written about yet. But it is, as is so often said, not normal times and I am not entirely sure what the new normal will be both here at the […]
“It was a perfect plot to kill Batman. There was no pressure put on anyone. No one even complained until Harvey Dent started asking questions. What the prosecution is doing is a disgrace to Gotham’s criminal justice system. No one has been victimized by the criminal justice system […]
Breakfast in the Ruins considers Seijun Suzuki’s 1973 contribution to the horror anthology series, Unbalanced Horror Theater: “A Mummy’s Love.” “In terms of its creative ambition and production values, this series seems to have represented something akin to a Japanese take on the BBC’s celebrated Ghost Stories for […]
At Lithub, Viv Groskop writes about Mikhail Bulgakov’s The Master and Margarita. “Written in the 1930s but not published until the 1960s, The Master and Margarita is the most breathtakingly original piece of work. Few books can match it for weirdness. The devil, Woland, comes to Moscow with […]
Friend of the Gutter Sara Century writes about The Stepford Wives. “The story has been made into multiple films—the first being a play-by-play of the book in 1975, followed by mostly irrelevant sequels like Revenge of the Stepford Wives, The Stepford Children, and The Stepford Husbands. The original film retains […]