I attended the 2022 Fantasia International Film Festival remotely, but with a press card in my cap and a matcha latte in my hand. I was disappointed I did not get a chance to see the movie I was most looking forward to, Wai Ka-Fai’s new film starring […]
The Gutter’s own Carol is reporting back from the Fantasia International Film Festival with a review of Satoshi Miki’s What To Do With A Dead Kaiju (Japan, 2022): Writer / director Satoshi Miki had two movies at Fantasia this year: Convenience Story (Japan, 2022) and What To Do […]
I’ve been playing a fair bit of Stray, the new cat simulator from relatively the new developer BlueTwelve Studio, since it came out a couple of weeks ago. While it’s completely enchanted me (as well as many, many others) , I find that I sometimes struggle to explain […]
The Gutter’s own Sachin reviews Quentin Dupieux’s Incredible But True (France / Belgium, 2022) at Biff Bam Pop! “Quentin Dupieux creates worlds or, perhaps even more intriguingly, a world where anything can happen. A tire might become a serial killer, as in Rubber (2010). People might commune with […]
The Gutter’s own Carol is reporting back from the 2022 Fantasia International Film Festival with a review of Shinichiro Ueda’s Popran (Japan, 2022): Akira Tagami (Yoji Minagawa) wakes up one morning to discover that his genitalia—his popran—have disappeared. Tagami is the CEO of Rashimban, an online manga application […]
Since Horizon Forbidden West is still a relatively new game, I have tried hard not to reveal to many plot details in my piece. But I do discuss some, so if you don’t want to know anything about the story, maybe wait until after you’ve played the game. […]
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The Cultural Gutter 