The Gutter’s own Carol interviews Peter Strickland (Berberian Sound Studio; The Duke of Burgundy) about his films, sound design, mole crickets, pheromonal perfume and the pressure to put on a persona. Read it at the Toronto International Film Festival’s official Vanguard Program blog.
In Tropes vs. Women in Video Games, “Women As Background Decoration: Part 2,” Anita Sarkeesian discusses “how sexualized female bodies often occupy a dual role as both sexual playthings and the perpetual victims of male violence.” It is quite graphic in terms of violence and sexual violence.
Here are the films playing the Vanguard program at this year’s Toronto International Film Festival: Spring; Luna; Hyena; Goodnight, Mommy / Ich Seh, Ich Seh; Alleluia; The Duke Of Burgundy; Over Your Dead Body; Shrew’s Nest; They Have Escaped; Waste Land; The World of Kanako; and The Voices. […]
What’s happening with The Projection Booth, you ask? This week The Projection Booth watches Caligula (1979) and TPB‘s Mike White is interviewed by Dave Pace at La Politique Psychotronique.
The Toronto International Film Festival has announced its Midnight Madness and Vanguard programs for 2014. There’s lots of goodness in there and it’s worth taking a look even if you aren’t going to the festival, so you can you movie watching later this year or next. We’ll be […]
Filmmaker Noribumi Suzuki has died. Suzuki was probably best known for School of the Holy Beast (1974), Sex and Fury (1973) and his Torakku Yarõ / Truck Yaro / Trucker Guys films starring Bunta Sugawara. Here Suzuki talks about working with actresses Reiko Ike and Miki Sugimoto, who […]
Find t-shirts, mugs, totes and more at our new Guttermart location at Teepublic!
The Cultural Gutter 