Please enjoy this extra-large article in celebration of the spooky season here at the Gutter. It was originally written for a magazine that took longer entries, but things happen. Hopefully it’s like getting a full-sized candy bar from the house with the dad that uses a radio controlled […]
At Manor Vellum, Sara Century looks at Edgar Allan Poe’s work adapted on film. This week she’s all about giallo Poe. Read more here.
At BiffBamPop the Gutter’s own Carol writes about a scene that shook her in Edgar Ulmer’s Universal horror film, The Black Cat (1934). “[The Black Cat] is a film I never expected to leave me harrowed and shook, but it has. There is incest, rape, torture, a Black […]
The Getty Museum explores the Queer legacy of 3909 Sunset Boulevard. “Now designated as a Los Angeles Historic-Cultural Monument, the address is most remembered as the site of The Black Cat, which opened as a gay bar in 1966 with a pool table and a jukebox stocked with […]
I love me some Edgar Allan Poe. That man lived a fantastically harsh, brief life, and I’ll be damned if he didn’t wring some great writing out of it anyway. It might seem strange then that out of decades and decades of Poe film adaptations, my very favorite […]
Rob and Mike watch Edgar Ulmer’s The Black Cat (1934) at The Projection Booth. “The first big American studio film — and last big American studio film – directed by Edgar G. Ulmer, The Black Cat is, uh, ‘inspired’ by Edgar Allan Poe’s short story and stars Bela […]
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The Cultural Gutter 