At Diabolique, Heather Drain writes about the Devil in American music. “Rock & Roll might still be the bogeyman to repressed, misguided fundamentalist types, but it wasn’t the first modern musical genre to get labeled “the devil’s music.” During the 1920s, Jazz was branded with that very same […]
“Rappers, ranked by number of unique words used in their lyrics.” See the chart and the analysis at The Pudding.
The Gutter’s own Keith has a mai tai at Honolulu’s La Mariana Sailing Club. “At first you might think you’ve taken a wrong turn. Somewhere between the H1 and Nimitz Highway, you must have missed something, because here you are, closer to the airport than the beach at […]
David Bordwell writes about Shaw Brothers Studios particular use of the widescreen format in film. “The Shawscope blazon opens onto a world of one-armed swordfighters, beautiful woman warriors, and kung-fu masters with very long white eyebrows. Without denying the peculiar pleasures of these sagas, we can peer behind […]
Smithsonian Magazine discusses the dangers to children parents saw in Little Orphan Annie. “These days, when Annie is known mainly as the little girl who sang brightly about ‘Tomorrow,’ it may be hard to picture her radio series as the Grand Theft Auto of its day. But the […]
Get the skinny on impending documentary on Black Horror, Horror Noire, co-written and produced by Ashlee Blackwell of Graveyard Shift Sisters. “Horror Noire is based on the book of the same name by Dr. Robin R. Means Coleman and takes a critical look at a century of genre films […]