Nocebo (Philippines / Ireland, 2022) is a blend of Gothic manor house horror, Southeast Asian witchcraft movies, and horror set in the world of fashion. Instead of focusing on connivances and cruelties within the world of haute couture fashion houses, like, say, Mario Bava’s Blood and Black Lace […]
The Gutter’s own Carol watches Michelle Garza Cervera’s Huesera and liked it! “Huesera: The Bone Woman (Mexico-Peru, 2022) was not what I expected. It’s Queerer and more Punk. From the trailers and stills I had expected it to be about pregnancy and the traps of domesticity. I had […]
I know it’s a bit late for a list of things I liked in 2022, but here at the Gutter we do what we want. And like Angela Englert and Sachin Hingoo, I am taking care of some end of year business. Besides, what if you discover something […]
The Gutter’s own Carol writes about Charlotte Colbert’s She Will (2022), a film wherein Alice Krige gives a magnificent performance as a grand dame of cinema who channels the anger of accused witches. Read more here.
It’s annual list time where I share things I liked in the last year. I usually try to write about things I haven’t written about before, but the world is not what it was and perhaps next year I will be back to that or perhaps on to […]
The pandemic has resulted in a year of film festivals here at the Gutter, including the Toronto International Film Festival, Hong Kong Filmart and now Nightstream and the Brooklyn Horror Festival. The Gutter’s own Angela and I attended Nightstream with press cards in the bands of our fedoras […]
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The Cultural Gutter 