December 6th was the 50th anniversary of the folk horror (and Beltane holiday) classic, The Wicker Man’s release. It seems positively disreputable to let the event pass completely unmarked. So this month we are presenting an essay Carol Borden originally wrote on The Wicker Man‘s origins for CG Editor […]
Tanya Krzywinska has made her hard to find classic, A Skin For Dancing In: Possession, Witchcraft, and Voodoo in Film (2001) available for free on her website. You can read it here.
Nocebo (Philippines / Ireland, 2022) is a blend of Gothic manor house horror, Southeast Asian witchcraft movies, and horror set in the world of fashion. Instead of focusing on connivances and cruelties within the world of haute couture fashion houses, like, say, Mario Bava’s Blood and Black Lace […]
The Gutter’s own Carol watches Michelle Garza Cervera’s Huesera and liked it! “Huesera: The Bone Woman (Mexico-Peru, 2022) was not what I expected. It’s Queerer and more Punk. From the trailers and stills I had expected it to be about pregnancy and the traps of domesticity. I had […]
I know it’s a bit late for a list of things I liked in 2022, but here at the Gutter we do what we want. And like Angela Englert and Sachin Hingoo, I am taking care of some end of year business. Besides, what if you discover something […]
The Gutter’s own Carol writes about Charlotte Colbert’s She Will (2022), a film wherein Alice Krige gives a magnificent performance as a grand dame of cinema who channels the anger of accused witches. Read more here.
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