I know it’s a bit late for a list of things I liked in 2022, but here at the Gutter we do what we want. And like Angela Englert and Sachin Hingoo, I am taking care of some end of year business. Besides, what if you discover something […]
The Gutter’s own Carol writes about Charlotte Colbert’s She Will (2022), a film wherein Alice Krige gives a magnificent performance as a grand dame of cinema who channels the anger of accused witches. Read more here.
The pandemic has resulted in a year of film festivals here at the Gutter, including the Toronto International Film Festival, Hong Kong Filmart and now Nightstream and the Brooklyn Horror Festival. The Gutter’s own Angela and I attended Nightstream with press cards in the bands of our fedoras […]
At Jumpcut Online, Fiona Underhill writes about Gothic horror and recent films directed by women. “Madness and melodrama, obsession, suppression and repression – the questioning of sanity, gas-lighting, confusion over what is real or unreal, not knowing who to trust are also huge elements of Gothic fiction (and […]
At Okayplayer, Clarkisha Kent interviews Rachel True. “Amid the anniversary of The Craft, True spoke with Okayplayer about how the film attempted to tackle issues that are still prevalent today (however clunky), how her spiritual journey led her to pen and publish a hybrid memoir and tarot set, and her […]
At Certified Forgotten, Molly Henery writes about The Witch (2015). “Just a few short weeks ago, we got all lovey-dovey discussing Spring as a Uterus Horror film. Now it’s time to give you delightful readers a bit of whiplash, because we’re diving into a film that has absolutely […]
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