Art Spiegelman writes about the history of superheroes and the rise of Fascism at The Guardian. And he includes his response to this very essay being cut from an upcoming compilation of golden age Marvel comics. “At this point, it might be worth pointing out (not out of […]
At the Vintagent, Paul D’Orléans writes about the history of one-piece utility suits from boilersuits to Catwoman and Girl On A Motorcycle (1968). “The story of the ‘boilersuit’ and its (super)heroic descendants is a curious tale; a purely functional clothing item historically laden with a mix of Utopian […]
When I was a kid, I loved monsters. I dressed up as a monster or an alien (i.e., stealth monster) every Halloween. I watched monsters movies on weekends and tokusatsu shows or whatever featured monsters after school. I loved kaiju and the monsters on Sesame Street and The Muppet […]
At the Atlantic, Sophie Gilbert has a piece on Dr. Seuss’ anti-Fascist cartoons and their complicated legacy.
“Looking for film noir in India is to miss the point of Indian cinema altogether.”–Lalitha Gopalan, “Bombay Noir,” A Companion to Film Noir. (Hoboken, NJ: Blackwell Publishing Ltd., 2013). There’s a lot about Calcutta—the center of the Bengali film industry, metropolitan capital of the state of West Bengal, […]
The Argus writes about the life of Doreen Valiente. “The woman known as the mother of modern witchcraft was also a Bletchley Park codebreaker and a friend of the Queen Mother, a new book claims.”
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The Cultural Gutter 