Taylor Ramos and Tony Zhou have returned with a new video essay at Every Frame A Painting! “What do you do when you’ve got two actors, a bunch of dialogue, and only enough time to get one camera angle? Consider one of the oldest tools in the filmmaking toolbox: the sustained two-shot.”
Watch here.
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Tagged as: 1930s, 1940s, 1950s, 1960s, 1970s, 1980s, 1990s, 2000s, 2010s, 2020s, Bad Day At Black Rock, Badlands, Canada, Catch Me If You Can, Chinatown, Chungking Express, City Lights, Do The Right Thing, Every Frame A Painting, exotica, Fallen Angels, film history, filmmaking, France, Gaslight, Good Morning, Hong Kong, Indiana Jones and the Last Crusade, Infernal Affairs, Japan, Kill Bill Vol 2, Mean Streets, Ocean's Eleven, Presumed Innocent, Rush Hour, Shaun of the Dead, Talk To Her, Taylor Ramos, The Hidden Fortress, The Master, The Philadelphia Story, The Shop Around The Corner, The Umbrellas of Chergourg, The Verdict, Tony Zhou, UK, USA, video, video essay, When A Woman Ascends The Stairs, You've Got Mail
I am sure this has been thought of/done before – but it would be cool to have an exhibition of paintings of every possible kind of frame. It would of course be called Every Painting a Frame.
This goes in the same category of holding a fundraiser at an art gallery in which Major League Baseball pitchers each present a specific piece of art. It would of course be called Pitcher at an Exhibition. (With apologies to the brilliant Modest Mussorgsky).
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