At RogerEbert.com, Matt Zoller Seitz writes on the life and career of Clarence Williams III. “His ferocity burned holes in the screen, and filmmakers took advantage of that, casting him in roles that shook up the main character’s preconceived notions, rattled their complacency, and otherwise pushed their buttons.”
At The Paris Review, Anne Diebel considers Dashiell Hammett’s “strange career.” “In a 1929 interview with the Brooklyn Daily Eagle, Dashiell Hammett described his first attempts at ‘breadwinning.’ After dropping out of Baltimore Polytechnic Institute at 14, he worked as a messenger boy for the Baltimore and Ohio […]
This month at The Cultural Gutter is Switcheroo Month. Traditionally the editors write something outside of their usual domains. This time, though, we are faced with a domainless Gutter. And so this Switcheroo Month, we write about reputable art. ~~~ “I shall ere long paint to you as […]
At Comicbook.com, Spencer Perry talks about the history of King Kong, who exactly holds the rights to the character and how that plays out in movies and musicals. “To fully appreciate the complexities of the complicated rights situation to Kong, we have to go all the way back […]
At Crime Reads, Olivia Rutiliagno presents her “100 Best, Worst and Strangest Sherlock Holmes Portrayals of All Time, Ranked.” “We’re ranking Sherlock Holmes performances. One hundred of them. Not Sherlock Holmes adaptations, but the representations within them of Sherlock Holmes himself. Now, you might think that you know […]
At the BBC Culture blog, Nicholas Barber writes about Miss Fury. “This autumn sees the 80th anniversary of Wonder Woman, who made her comics debut in October 1941, two years after Batman and three years after Superman. But before we start celebrating, we should raise a glass to […]
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