At Biff Bam Pop, the Gutter’s own Sachin Hingoo writes about Keeper (USA, 2025). “So there’s a bunch of articles out there that say something along the lines of, “Osgood Perkins’ Keeper is not what you’re expecting.” At this point, given Oz’s output over the last 18 months–The Monkey  and Longlegs–and frankly even longer than that, I had no expectations for Keeper at all. He’s brought to life such a wide breadth of stories that, after a marketing campaign that kept Keeper’s secrets pretty close to its chest, I had no idea what I was in for. Still, I left the theatre feeling a little deflated.”

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