Writes at culturalgutter.com, blogs at screamsharing.com
With a carnival accordion wheeze, woodcut interstitials, and titles in Wicker Man font, Ric Rawlins’ Rewilding announces itself as exactly what it is–a feast of folk horrors rooted deep in green modern pagan dreams of green pre-Christian pagan rites and the conflict when the modern world scuffs up […]
Burnt Offerings (1976) opens, as so many of my favorite scary movies do, with our relatable heroes driving winding roads deep–into the country, into the woods, into the mountains. Into deep space, for that matter, if you want to extend the metaphor to its outermost limit. It doesn’t […]
This month, we celebrate twenty years at the Gutter–fierce, gleeful, proud years during when we have dwelt richly on works that fall under the admittedly subjective rubric of disreputable media. I was a fan a long time before I was a contributor. But why was I a fan […]
April, again, and gazing up from the Gutter, my colleagues and I must now tear our eyes from the stars and turn them instead to the vaunted facades of ivory towers. Or to put it another way: time to get reputable up in this biz. His canon is […]
1972’s Night of the Lepus is one of the last stalwarts of a grand storytelling tradition, all too rare in our decadent, expertise-skeptical times–a tradition that dares to preface the feature with a dry, informative lecture. No time to thread exposition into character-revealing events and dialogue; we begin […]
A beautiful woman, wearing scarlet from her lips to her toes, drives alone through the city. She’s relaxed, but distracted, as though she’s looking for something, frequently taking her eyes off the road to notice people gathering on balconies overlooking the street–people wearing dark glasses. Languidly, the camera […]
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The Cultural Gutter 