Just a critter in the Gutter.
In the run-up to, and wake of, the release of Watchmen, it has become common currency to say that adapting Zach Snyder, et al undertook a massive challenge in adapting Alan Moore and Dave Gibbons’ complex, sprawling medium- and genre-defining work for the screen. But I’m going to […]
Generally speaking, Romances are divided into two broad groups: contemporary and historical. Those distinctions are somewhat fluid. For instance, although it used to refer to anything set after 1900, ‘contemporary’ now encompasses anything set after World War II. ‘Historical’, meanwhile, covers everything else.
Normally, I think of Ron Howard as the Midas of mediocrity – everything he touches turns to boring. So, what went right with Frost/Nixon?
I think the adage about not judging a book by its cover was probably invented by publishers’ marketing departments. They spend a surprising amount of time and effort on covers, and don’t want that time to be wasted, so you’re told to judge a book its prose. I […]
I recently had a chance to watch the Wachowski siblings’ live-action adaptation of Tatsuo Yoshida’s Speed Racer (aka the much-more-evocative Mach Go Go Go) for a second time. After 135 hallucinatory, candy-coated minutes of Mobius strip racetracks and Mobius strip plot, I was left with one question: is […]
“No doubt the audience in the plush seats of the Tivoli was enthralled. For the first time in a feature film, they could hear the creaking of the stairs, the ghostly wind and the voices of the characters. Even the credits were spoken.” Eric Veillette writes about The […]
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