Carol Borden was editor of and a writer for the Toronto International Film Festival’s official Midnight Madness and Vanguard program blogs. She is currently an editor at and evil overlord for The Cultural Gutter, a website dedicated to thoughtful writing about disreputable art. She has written for Mezzanotte, Teleport City, Die Danger Die Die Kill, Popshifter and she has a bunch of short stories published by Fox Spirit Books including: Godzilla detective fiction, femme fatale mermaids, an adventurous translator/poet, and an x-ray tech having a bad day. Read and listen to her other shenanigans at Monstrous Industry. For her particular take on gutter culture, check out, “In the Sewer with the Alligators.”
It’s already steamy where I am–90 F and a thunderstorm is coming in. Everyone is getting their Pride outfits and do’s together. Summer is basically here. Maybe you’re getting ready to go camping or making plans for a trip to the beach. Maybe you’ve even booked a hotel […]
There is nothing charming about the red fairy door we encounter in Aislinn Clark’s Irish language horror film, Fréwaka (Ireland, 2024).* Its fairy tree is old and hung with scissors and bones. And there is nothing safe about the Good Folk attracted to the house with the fairy door in it.
I had a plan. It was a cunning plan, but it didn’t come to pass. Well, two plans. The Gutter’s own Sachin Hingoo and I were fortunate enough to receive press accreditation to attend the Overlook Film Festival in New Orleans again this year. I can see it […]
The Gutter’s own Carol Borden is attending this year’s Overlook Film Festival. Here’s her first thoughts on Alexandre O. Philippe’s Chain Reactions (2024): f you are expecting a documentary about the making of Tobe Hooper’s The Texas Chainsaw Massacre (1973), Chain Reactions (USA, 2024) is not that film. […]
Victor Frankenstein is a terrible father, a tech bro, and not a doctor.
Space: 1999 taught me two valuable lessons. The first is that space is depressing and best represented by the color taupe. The second is that, with few exceptions, aliens are jerks. At least in the first season, Space: 1999 (UK, 1975-77) captures malaise, chronic low-grade depression and inertia […]
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