Carol Borden was editor of and a writer for the Toronto International Film Festival’s official Midnight Madness and Vanguard program blogs. She is currently an editor at and evil overlord for The Cultural Gutter, a website dedicated to thoughtful writing about disreputable art. She has written for Mezzanotte, Teleport City, Die Danger Die Die Kill, Popshifter and she has a bunch of short stories published by Fox Spirit Books including: Godzilla detective fiction, femme fatale mermaids, an adventurous translator/poet, and an x-ray tech having a bad day. Read and listen to her other shenanigans at Monstrous Industry. For her particular take on gutter culture, check out, “In the Sewer with the Alligators.”
The Japan Society had a program featuring Japanese animation from the 1910s-1940s. Even if you missed it, you can still see some shorts —a beautiful 1929 silent featuring Tengu; sing along with a 1930 papercut animation village festival; an unfortunate butterfly from 1931; tricks between a fox spirit […]
Gameranx dares name the Top 25 Best Horror Games of All Time! (via Denis at The Horror?!)
Cube Zero is definitely not the Greatest Movie Ever! Hear more here.
A meditation on Ultraman and Ultraman in manga form, drawn by “horror comics auteur” Kazuo Umezu: “The boys who read this would grow up to read even more outlandish and violent mens’ comics; the girls would have a whole sub-genre of girls’ horror comics, jam-packed with beheadings, defenestrations, […]
In 1969, Joanna Russ spoke to the Philadelphia Science Fiction Convention about taboo words, their honest and dishonest uses and the unearned thrill: “I want to be able to use dirty wordies without shocking anybody. I want to write about the subjects they refer to without shocking anybody. […]
Long before DC decided to reboot its entire continuity, Dwayne McDuffie argued against shared continuity, envisioning a world in which the last 5 minutes of St. Elsewhere was the only tv show, and warned against a shared universe in “Crisis on Mono-Earth” (parts 1 and 2). He says […]
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The Cultural Gutter 