“What does an eraser sound like?” The question was floated at a comic jam not long ago by a cartoonist who’d been slipped a panel to complete. It showed an artist rubbing himself out. Sidestepping the picture’s metaphor, the cartoonist instead was racking himself for a sound effect […]
Some readers may flinch at the very scent of a superhero comicbook. Decades of flat artwork, turgid prose and hypertrophied subplots have frightened off all but a handful of masochists from the world of capes and glutes. It’s a trend Marvel Comics means to change.
It’s Enki Bilal’s first visit to Toronto, and he’s looking a little weary. It’s been a full day of interviews promoting a new film he’s written and directed, an FX-bloated fantasy called The Immortal. Now here he sits, pressed against a wall of books on The Beguiling’s crowded […]
“A good salesperson has to be a psychologist,” Mel Rapp says, sitting at the back of his College Street optical shop, legs crossed alertly, riding a tangent in his distant, foggy voice. “I use all my experiences to try to inform the attitudes and feelings — the psychology […]
Art Spiegelman has a lot to live up to. He founded Raw magazine in the early 1980s, an anthology of independent comics assembled well before the masses cottoned on to the concept. Through it, he brought sunlight to some of the medium’s best practitioners, Dan Clowes and Charles […]
Adrian Tomine in one word? Clean. His unofficial uniform is pressed khakis and an oxford shirt, hair fastidiously parted, black-framed glasses polished to a glow. Clean, too, is his top-selling comic series, Optic Nerve. Not that he doesn’t curse; his comic is full of four-letter invectives and frank […]
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The Cultural Gutter 