This is not a spoiler-free essay. There is a lot of discussion of plot elements. If you like to go into a film blind, you will want to wait to read this piece. ~~~ These are the stories of the robots: They resent us for creating them. They […]
Hera Pheri (1976) does weird things to my sense of time. It is so up my alley that I have rewatched it repeatedly while also wishing it were still out there waiting to be discovered anew. I want to keep it in a perpetual state of having been […]
I know it’s a bit late for a list of things I liked in 2022, but here at the Gutter we do what we want. And like Angela Englert and Sachin Hingoo, I am taking care of some end of year business. Besides, what if you discover something […]
Quick question for y’all: is “my brain has been hijacked by this fictional story and I no longer know how to live in the real world” a valid reason to call in sick to work? I’ve always gotten immersed in stories in a way that blurred the lines […]
Travis Stevens’A Wounded Fawn (USA, 2022) is entirely my thing. It’s a nice mix of art house and genre, which is one of my favorite things. It blends fine art—in this case the art of Surrealists (and friends) Leonora Carrington, Remedios Varo and Kati Horna—1970s horror/giallo, Classical Greek […]
Video game adaptations have a rocky history in film. For every good-to-ok one, like Mortal Kombat (1994), Sonic The Hedgehog (2020) or Werewolves Within (2021), there are scores of films that don’t do justice to their digital counterparts. The K:D ratio* just isn’t great for these movies, partly […]
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The Cultural Gutter 