The South China Morning Post has an interview with actor and musician Anthony Wong Chau-Sang: “But I can see the influence from mainland China increasingly. It makes me feel like I should shut up, do my job, grab some money and then go. Every generation has a job […]
Refinery 29 has a profile on Moonlight, Lemonade, Creed and Fruitvale Station designer Hannah Beachler. ‘”Everything you’re seeing on screen is the production designer, outside of the camera work and lighting,” she explains. “I’m basically the architect of a movie’s visuals.”‘ (Thanks, Sarah)
I would pretty much always prefer to watch shows where nothing bad happens to the folks who are minding their own business. I get enough reality in the world without having random terrible things happen in my entertainment to bring home to me how easy it is for […]
At the Criterion’s Current, Barry Jenkins talks about Wong Kar-Wai. “For the inaugural video in our new series Under the Influence, Barry Jenkins—whose sophomore feature, Moonlight, won big at last night’s Gotham Awards and just garnered best director and best supporting actress from the National Board of Review—stopped […]
That darkness is a part of me. Living in a world without streetlights allows you to understand the true meaning of utter darkness. White indicates a lack of matter, while black shows an abundance. It makes you think that something is lurking just beyond, hidden in the blackness. […]
Things got a little heavy last round, so I thought this week we’d decompress, relax a little, and talk about Andy Lau’s all leather three-piece suit. Also, I know celebrating this particular movie is hardly a fitting tribute to Lau, but we still all wish him a speedy […]
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The Cultural Gutter 