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The Cultural Gutter

Thoughtful Writing About Disreputable Art

Fish Out of (Pasta) Water in Gabriele Mainetti’s ‘The Forbidden City’ (2025)

By Sachin Hingoo (he|him|his) on April 2, 2026 • ( Leave a comment )

Pow! Kids with Guns and the SOV Surrealism of Hawk Jones (1986)

By Michelle on March 26, 2026 • ( Leave a comment )

Relax and Enjoy the Mystery: Deadloch and How to Get to Heaven From Belfast

By Critterlab on March 19, 2026 • ( 1 Comment )

“Remember Quick that Life is Death”: Mother of Flies (2025)

By Carol on March 12, 2026 • ( 1 Comment )

Madeline Sims-Fewer and Dusty Mancinelli’s ‘Honey Bunch’ Tries and Tries Again

By Sachin Hingoo (he|him|his) on March 5, 2026 • ( Leave a comment )

Blood Pact: Exploring SOV Director Glenn Andreiev’s Infatuation with the Vampire Mythos

By Michelle on February 26, 2026 • ( 1 Comment )

“J.K. Rowling, No: The Opportunism of ‘History of Magic in North America'”

By Guttersnipe on March 14, 2016 • ( Leave a comment )

At Tor.com, Chris Lough writes about the problems with J.K. Rowling’s “The History of Magic of North America.” “Fiction is a story we create, and history is a story we find, but the opposite is also true, and this makes the structure of both very similar. In this […]

“A Crash Course in the History of Black Science Fiction”

By Guttersnipe on March 13, 2016 • ( Leave a comment )

At Fantastic Stories of the Imagination, author Nisi Shawl offers “A Crash Course in the History of Black Science Fiction.” In 1909 Harvard’s president, Charles W. Eliot, issued a 51-volume anthology he claimed could provide its owners with a complete liberal arts education. In the same vein, I’ve pulled […]

Dread Takes Many Forms: Reading the Entrails of The Witch.

By Angela Englert on March 10, 2016 • ( 2 Comments )

What follows is a discussion of the film The Witch, the award-winning 2015 feature from writer-director Robert Eggers. I will be swooping through the story, and then rooting in its unbaptized innards, with consequent spoilage. If you want to watch the movie first, and it’s a good ‘un, […]

“Lily Renée, Escape Artist”

By Guttersnipe on March 8, 2016 • ( Leave a comment )

Trina Robbins shares free downloads of her book, Lily Renée, Escape Artist, at her website. Robbins writes about Renée, a comics creator who had fled Vienna in 1938. Renee worked on comics like Werewolf Hunter and Señorita Rio.

The British Raj, Quantum Physics, and Some Super Cool Snake Rings: Roland Joffé’s The Lovers

By Beth Watkins on March 3, 2016 • ( Leave a comment )

In the “making of” feature on the DVD of The Lovers, director Roland Joffé (The Killing Fields, Fat Man and Little Boy, City of Joy) describes his film as an exploration of the concept of time split across two eras, represented by “quantum physics” in the near future […]

Astron 6’s “Divorced Dad”

By Guttersnipe on March 1, 2016 • ( Leave a comment )

Enjoy the teaser for Astron 6, Rachel Talalay and Guy Maddin’s webseries, Divorced Dad!

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The Cultural Gutter is a website dedicated to thoughtful writing about disreputable art. The site is updated every Thursday afternoon. Carol Borden, Sachin Hingoo, Alex MacFadyen, Beth Watkins, and Michelle Kisner probe science fiction, draw out the best in comics, stare deeply into the screen, sink their fangs into horror, dally with romance, speedrun their brains on videogames, grapple with wrestling, and explore so much more. Our Guest Stars shine here. Thanks to Gutter aesthetic director Brian Kirby for all his swank art. Thanks to EJ Lee for providing the fantastic art we used in the Cultural Gutter book. The Cultural Gutter's signature nail polishes, "Disreputable," and, "Disreputable 2: Hellcat," were created by Andrea Evans of MPZ Cosmetics. MPZ Cosmetics also teamed up with Dill McKinley to recreate the classic fragrance, Cornichon by Dill McKinley for Gutterthon 2021. Follow us on Bluesky, Facebook, and Mastodon. We do not accept unsolicited pitches.

No part of this text or any text on the Cultural Gutter site may be used to train artificial intelligence systems without the written permission of the author and The Cultural Gutter.

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