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The Cultural Gutter

Thoughtful Writing About Disreputable Art

Spy Vibes: Keemat (1973)

By Beth Watkins on February 19, 2026 • ( Leave a comment )

With Your Ears, The World Enters You: Rabbit Trap (UK/USA, 2025)

By Carol on February 12, 2026 • ( 4 Comments )

The Hang(ed) Man

By Sachin Hingoo (he|him|his) on February 5, 2026 • ( 1 Comment )

Man’s Inhumanity to Man: Emotional Suppression and the Machinery of Control in “Equilibrium” (USA, 2002)

By michelle8e45d54816 on January 29, 2026 • ( Leave a comment )

A Slippery Slope from Cute to Evil in Cult of the Lamb

By Critterlab on January 22, 2026 • ( 5 Comments )

You Are Sleeping, You Do Not Want to Believe: ‘Dreamscape’ (1984)

By Guttersnipe on January 15, 2026 • ( Leave a comment )

Fantastic Fest 2024: Quick thoughts on AJ Goes To The Dog Park (USA, 2024)!

By Carol on September 23, 2024 • ( Leave a comment )

The Gutter’s own Carol Borden watched the delightful AJ Goes To The Dog Park (Fargo, 2024) and has some thoughts! AJ Goes To The Dog Park is zany, absurd and cartoonish in the best way. AJ (AJ Thompson) has a pretty sweet life that he loves. It’s pleasant. […]

Fantastic Fest 2024: Quick thoughts on Witte Wieven / Heresy (Netherlands, 2024)

By Carol on September 22, 2024 • ( Leave a comment )

The Gutter’s own Carol Borden has some quick reflections on Didier Konings’ Witte Wieven / Heresy: Writer / director Didier Konings’ Witte Wieven, aka, Heresy, is atmospheric folk horror set in a small village in the Netherlands in the Middle Ages. This is not the fun Middle Ages–skipping […]

“Why was the Miami Vice pilot so good?”

By Guttersnipe on September 20, 2024 • ( Leave a comment )

At Vulture, Matt Zoller Seitz writes about the 1984 premiere of Miami Vice. “Created by writer Anthony Yerkovich, helmed by filmmaker Thomas Carter, and guided by executive producer Michael Mann, Vice was ostensibly a police procedural: Crockett is a deep-cover operative based in Miami who partners with Ricardo […]

TIFF 2024: Three Takes on The End of the World

By Sachin Hingoo (he|him|his) on September 19, 2024 • ( Leave a comment )

Sachin Hingoo attends the 2024 Toronto International Film Festival and brings back three visions of environmental collapse!

Movies the Gutter’s own Carol Borden is Excited about at Fantastic Fest 2024!

By Carol on September 17, 2024 • ( Leave a comment )

It’s festival season and I was fortunate enough to receive credentials for this year’s Fantastic Fest! Who knows why but I’m going to do my best to engage with the art and write some thoughtful reflections on what I see. Even though I am attending remotely, I’m going […]

TIFF 2024: “In Praise of the Maximalist in Coralie Fargeat’s The Substance!”

By Guttersnipe on September 17, 2024 • ( Leave a comment )

The Gutter’s own Sachin Hingoo reviews Coralie Fargeat’s The Substance (France, 2024) at Biff Bam Pop! “I once joked to a friend that no one in Hollywood has the guts or gumption to do a 360 degree whip-pan around the room when a character answers a telephone like […]

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The Cultural Gutter is a website dedicated to thoughtful writing about disreputable art. The site is updated every Thursday afternoon. Carol Borden, Sachin Hingoo, Alex MacFadyen, Beth Watkins, and Michelle Kisner probe science fiction, draw out the best in comics, stare deeply into the screen, sink their fangs into horror, dally with romance, speedrun their brains on videogames, grapple with wrestling, and explore so much more. Our Guest Stars shine here. Thanks to Gutter aesthetic director Brian Kirby for all his swank art. Thanks to EJ Lee for providing the fantastic art we used in the Cultural Gutter book. The Cultural Gutter's signature nail polishes, "Disreputable," and, "Disreputable 2: Hellcat," were created by Andrea Evans of MPZ Cosmetics. MPZ Cosmetics also teamed up with Dill McKinley to recreate the classic fragrance, Cornichon by Dill McKinley for Gutterthon 2021. Follow us on Bluesky, Facebook, and Mastodon. We do not accept unsolicited pitches.

No part of this text or any text on the Cultural Gutter site may be used to train artificial intelligence systems without the written permission of the author and The Cultural Gutter.

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