At RogerEbert.com, friend of the Gutter Jessica Ritchey writes about “cocaine noir.” “Between the winding down of the first neo-noir cycle popularized by New Hollywood titles like Chinatown and The Long Goodbye, and before the rise of the erotic thriller as a recognizable genre with entries like Fatal […]
At ArtForum, Chloe Wyma writes about artist Leonora Carrington’s Tarot. “Carrington made The High Priestess, one of only two cards to have been dated, in 1955, around the same time she and her friend Remedios Varo were haunting the metaphysical clubs established by the disciples of Russian mystics […]
At Roger Ebert.com, David Moses writes about Apollo Creed. “[Rocky] was never truly an underdog—that is the fantasy of the Rocky movies, a series that plays in a vacuum breathing off the air tube of white victimhood, while shutting out real world complications and well … facts. Facts […]
At RogerEbert.com, Matt Zoller Seitz writes on the life and career of Clarence Williams III. “His ferocity burned holes in the screen, and filmmakers took advantage of that, casting him in roles that shook up the main character’s preconceived notions, rattled their complacency, and otherwise pushed their buttons.”
At RogerEbert.com, Scout Tafoya writes on the inimitable Nicolas Cage. “There are some actors we watch because we want to see the result of months of internal calculus as they’ve wedged themselves into a new shape; a new person that could only have resulted from this actor taking […]
Friend of the Gutter Kimberly Lindbergs has put together a collection of of her pieces on Asian film artists at Cinebeats! “May is Asian Heritage Month or to be more exact, Asian American and Pacific Islander Heritage Month. To celebrate I decided to collect links to some of […]
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The Cultural Gutter 