At Film Comment, Shonni Enelow writes about a new style of acting in American film. “But something else is brewing. [Jennifer] Lawrence’s characters in Winter’s Bone and The Hunger Games don’t arrive at emotional release or revelation; rather than fight to express themselves, her characters fight not to. […]
I heard industrial pa-chunking before I even entered the Henry Ford Museum of American Innovation. Across the street from the museum is the Ford Development Center, where Ford Motor Company does research on new vehicles and “mobility solutions.” The center first opened in 1953 and was designed by […]
A site featuring the work of author, musician, film historian, radio host and dearly missed friend of the Gutter Todd Sadtman is now online. You can visit here.
At Jumpcut Online, Fiona Underhill writes about Gothic horror and recent films directed by women. “Madness and melodrama, obsession, suppression and repression – the questioning of sanity, gas-lighting, confusion over what is real or unreal, not knowing who to trust are also huge elements of Gothic fiction (and […]
At Strange Harbors, Jeffrey Zhang reviews Benny Chan’s Raging Fire (2021). “Chan, with his swan song, has crafted an ode to the ‘heroic bloodshed’ genre of Hong Kong action cinema. A maelstrom of melodramatic concepts: redemption, brotherhood, duty, honor–and of course–copious amounts of bloodletting, this sub-genre was a […]
At the Guardian, Tauriq Moosa writes about the Mass Effect Trilogy. “This year, when everyone has been encouraged to isolate and death has been omnipresent, experiencing a grand narrative of community has been fulfilling. Mass Effect carefully balances the personal and the political in Shepard’s place in the […]
Find t-shirts, mugs, totes and more at our new Guttermart location at Teepublic!
The Cultural Gutter 