The works of Agatha Christie, like many other best-sellers in the English language, have been successfully translated into mainstream Indian cinema.* Gumnaam (1965) moves the stage version of And Then There Were None on a jungle- and ruin-covered island somewhere off the coast of India (and if you’ve […]
At Jumpcut Online, Fiona Underhill writes about Gothic horror and recent films directed by women. “Madness and melodrama, obsession, suppression and repression – the questioning of sanity, gas-lighting, confusion over what is real or unreal, not knowing who to trust are also huge elements of Gothic fiction (and […]
The solstice and the the Fourth of July have passed and summer is definitely upon us, my friends. It’s hot, with cicadas (Brood X and Broods Otherwise), fireflies, fireworks, thunderstorms and humidity released upon my part of the world at least. And I have some suggestions for things […]
At The Paris Review, Anne Diebel considers Dashiell Hammett’s “strange career.” “In a 1929 interview with the Brooklyn Daily Eagle, Dashiell Hammett described his first attempts at ‘breadwinning.’ After dropping out of Baltimore Polytechnic Institute at 14, he worked as a messenger boy for the Baltimore and Ohio […]
This month at The Cultural Gutter is Switcheroo Month. Traditionally the editors write something outside of their usual domains. This time, though, we are faced with a domainless Gutter. And so this Switcheroo Month, we write about reputable art. ~~~ “I shall ere long paint to you as […]
Friend of the Gutter Sara Century looks at the Amityville franchise at Manor Vellum. “The Amityville Horror may not be especially unique at its root when viewed through the eyes of modern audiences. After all, today’s genre fans have seen similar stories in countless films, including, but not […]
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