At Crime Reads Corinne writes about the Detection Club, ‘fair play’ in mysteries–especially in members’ mysteries. “The sacred oath required of prospective members of the Detection Club demanded, among other things, their adherence to that Golden Age holy of holies, the principle of ‘fair play’ (i.e., presentation of […]
The works of Agatha Christie, like many other best-sellers in the English language, have been successfully translated into mainstream Indian cinema.* Gumnaam (1965) moves the stage version of And Then There Were None on a jungle- and ruin-covered island somewhere off the coast of India (and if you’ve […]
At Jumpcut Online, Fiona Underhill writes about Gothic horror and recent films directed by women. “Madness and melodrama, obsession, suppression and repression – the questioning of sanity, gas-lighting, confusion over what is real or unreal, not knowing who to trust are also huge elements of Gothic fiction (and […]
Marcia Lynx Qualey writes about Agatha Christie’s popularity and influence in the Arab world! “So many Agatha Christie novels were published in Arabic in the mid-20th century that Hercule Poirots and Miss Marples overflowed handcarts and bookshelves from Algiers to Cairo to Amman to Muscat. These original editions, […]
This month’s Guest Star Aditi Sen is an Assistant Professor in the Department of History at Queen’s University, Canada. When she isn’t working or watching horror films, she likes to collect Bollywood cakes. ~~~ In 1830, Colonel William Sleeman reported that a fakir and his young son were […]
“Looking for film noir in India is to miss the point of Indian cinema altogether.”–Lalitha Gopalan, “Bombay Noir,” A Companion to Film Noir. (Hoboken, NJ: Blackwell Publishing Ltd., 2013). There’s a lot about Calcutta—the center of the Bengali film industry, metropolitan capital of the state of West Bengal, […]
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The Cultural Gutter 