In his video essay (also available in text form), Matthias Stork details the elements of what he calls, “Chaos Cinema” and their effects on film and viewer experience: “The film doesn’t seduce you into suspending your disbelief. It bludgeons you until you give up.”
“Spectacular, spectacularNo words in the vernacularCan describe this great event.” —Moulin Rouge! (2001) That song went through my head while reading both volumes of Wormwood: Gentleman Corpse. Actually, the song went “Tentacular, tentacular.” Ben Templesmith can draw some tentacles and Wormwood: Gentleman Corpse is either a showcase for […]
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The Cultural Gutter 