At Jumpcut Online, Fiona Underhill writes about Gothic horror and recent films directed by women. “Madness and melodrama, obsession, suppression and repression – the questioning of sanity, gas-lighting, confusion over what is real or unreal, not knowing who to trust are also huge elements of Gothic fiction (and […]
Bertha Antoinette Mason Rochester as a Disney Princess by Shipwrecked’s Sinead Persaud.
“[T]he mainstreaming of Jane Eyre as a vanilla romance, or even as an exploration of a woman’s pure, uncompromising, and uncomplicated (and religious! and feminist!) integrity, says all kinds of things about our inability to speak honestly about violence and sex.” More on Jane Eyre, Wuthering Heights, consent, sex […]
There were not three Brontë Sisters, but four. Only Linda knew the future we all face.
There have been many, many adaptations of Jane Eyre–from the first talkie in which Jane sings Schubert to an all out musical in the 1990s/2000s. So, of course, there is a Bollywood adaptation of Jane Eyre called, Sangdil in which “Rochester (here Shankar) and Jane (Kamla) were childhood […]
Oh, to live in the era of the Regency Romance or the epic medieval adventure! Oh, except that life would suck: “No painless dentistry, eccentric provision for sewage, no penicillin and no concept of asepsis, and the condition of most women was not one that I aspire to.”