At Pulp Curry, novelist and journalist Andrew Nette muses on crime fiction set in Asia, in particular China and Cambodia. “What does it mean for the story and characters when your crime fiction is set in a country where corruption and extreme violence are regular features of everyday […]
Racebending and Hyperallergic discuss the racism and lack of critical response to racism in Cloud Atlas‘ use of “colorblind casting.” Mike Le responds to the trailer: Ultimately…my belief is that Cloud Atlas will eventually be viewed through the same lens as films like The Good Earth, Birth of a […]
This year’s Vanguard program at the Toronto International Film Festival also looks pretty sweet with Soi Cheang’s Motorway, starring Anthony Wong Chau-Sang; 90 Minutes; Berberian Sound Effects; Blondie; I Declare War; iLL Manors; Painless; Pusher; Sightseers; Thale; and Michel Gondry’s The We And The I. I haven’t found […]
Terry Windling recounts the history of the Ash Girl or Cinderella story from the 9th Century Yeh–hsien to the Disney film, Cinderella, based on Charles Perrault’s 1697 version.
Princess Iron Fan is the first Chinese animated feature and it stars Monkey, Sun Wu-Kong. The Wan Bros. made it in 1941 in Japanese-occupied Shanghai. LoveHKFilm has more and you can watch it here.
Hong Kong film legend Ti Lung/Di Long discusses his career and Bruce Lee (turn on close captioning for English translation). And Ti Lung’s debut in Return of the One-Armed Swordsman.
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The Cultural Gutter 