At the Irish Times, Derek Flynn considers genre fiction, particularly crime fiction, and working class experience. “And when I say that the voices of the working class can be heard in genre fiction, I’m not just talking about crime or thriller novels. Take, for example, the much-maligned genre […]
The Guardian talks to director Bong Joon-ho. “Bong is as fascinated and baffled as anyone by how Parasite has taken off. ‘A lot of people say it’s a universal story because it’s about the gap between rich and poor, but I don’t think that’s all the answer,’ he […]
At BFM, Kimberly Nichele Brown consider Octavia Spencer’s role in Tate Taylor’s Ma (2019). “Ma offers viewers a new archetype of black womanhood–the black female suburbanite. Unlike earlier representations of middle-class black women that can be readily subsumed under the archetype of the ‘black lady,’ instead of respectability […]
The Public Medievalist has started a new column on medievalism in games–and they’re looking for contributors. You can read the introduction here and then check back on the regular. “The idea is to pick apart the patchwork and take a closer look at gaming medievalisms. We’re looking to […]
At Graveyard Shift Sisters, Ashlee Blackwell writes about Us (2019). And there is another fine piece about Us at Black Horror Movies.
“Fifty years ago this spring, the best selling young adult novel of all time was published to adulation and outrage. This was 1967, so youth culture was not exactly new, but something about the plain, emotional voice of The Outsiders did away with the grownups’ interference and spoke […]
Smithsonian Magazine discusses the dangers to children parents saw in Little Orphan Annie. “These days, when Annie is known mainly as the little girl who sang brightly about ‘Tomorrow,’ it may be hard to picture her radio series as the Grand Theft Auto of its day. But the […]