Mental Floss takes an in-depth look at Patricia Highsmith and The Talented Mr. Ripley. “With the charming sociopath Ripley, she’d created a new type of character entirely. In five novels over the next four decades, he’d become not only her most acclaimed and memorable creation but the prototype […]
Japan Review interviews Natsuo Kirino, an author best known for her dark crime novels: “I don’t think I exclusively tell stories of women criminals. However, being a woman in this society is mainly an anonymous existence. I don’t think the fact that the environment is such that women […]
“[The Slenderman Stabbing] appears to echo patterns of behavior—belief in culturally-supported fantasies, tightly-cathected bonds between young women, an intensity of connection that has occasionally led to violence—that have occurred repeatedly, in various forms, throughout history and around the world. And they happen outside the heterosexual framework we use to understand […]
The Art of the Title looks at the opening credits of The Rockford Files.
Last month, I wrote about British (and a little pre-People’s Republic Chinese) censorship of Hong Kong movies and the ways that wuxia and kung fu movies in particular got around British control of political speech. And now, with wuxia and kung fu movies seemingly all nationalistic, dissent has […]
The Gutter’s own Carol shares a bit of her hardboiled Godzilla detective fiction at Monstrous Industry. Here’s a segment from “Three Kings” and two from “A Mark In Blue.”: ‘“Hell,’ I muttered, glancing down. My side was a mess of rearranged gears and blue coolant weeped from a […]
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The Cultural Gutter 