The Gutter’s own Carol has some thoughts on Li Xiaofeng’s neo-noir, Back To The Wharf! She has additional thoughts on censorship and Chinese crime films. “Back To The Wharf is one of a wave of Chinese crime dramas in recent years. These films make up for the bloated, […]
Video game adaptations have a rocky history in film. For every good-to-ok one, like Mortal Kombat (1994), Sonic The Hedgehog (2020) or Werewolves Within (2021), there are scores of films that don’t do justice to their digital counterparts. The K:D ratio* just isn’t great for these movies, partly […]
I’ve been thinking about what “disreputable art” means in a time when nerds, fans, and geeks have won a kind of cultural hegemony. It was different when the Cultural Gutter was founded in 2003, before Iron Man (2008) launched the Marvel Cinematic Universe, the Force awakened, and the […]
Marya E. Gates has some thoughts on Andrew Dominik’s Blonde (2022), Marilyn Monroe, and the photography of Weegee. “Weegee would take this idea of distorted reality even further with his doctored images of celebrities like Marilyn Monroe, warping them ever so slightly, enough so that they feel off […]
Hey, click through here to listen to the newest episode of Surreal Noir from friend of the Gutter Kate Laity! “Tonight’s episode dwells on Letty Lynton, which you may recall is a film, a novel by Marie Belloc Lownds and — gasp! — an early 20th century true […]
The Projection Booth Podcast’s Mike White hosts film critic Samm Deighan and the Gutter’s own Carol as we watch and discuss two film adaptations of Edogawa Rampo’s The Black Lizard. Friend of the Gutter Prof. Earl Jackson is interviewed about the films, Rampo, Yukio Mishima and drag and […]
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