It might be Round 7, but it’s not too late to particpate in Cinematical’s Heroes vs. Villains tournament. Vote here.
Kathryn Bigelow won a best directing Oscar for The Hurt Locker. Time for a retrospective. Here’s the trailer for Near Dark and some clips. Point Break (i.e. Keeanu Reeves best movie). Jamie Lee Curtis in the cop thriller, Blue Steel. The premillennial tension of Strange Days. The Pirelli […]
“Take the red pill. Get the blue screen.”
Preserved from usenet, Mark Dery’s 1994 essay on Afrofuturism: “Hack this: Why do so few African-Americans write science fiction, a genre whose close encounters with the Other—the stranger in a strange land—would seem uniquely suited to the concerns of African-American novelists? …. This is especially perplexing in light […]
So you’ve written a book that fits the current vogue perfectly – let’s say it’s a grimy cyberpunk novel in the mid-1980s – does that mean you’ve guaranteed long-lasting fame for yourself? Probably not. But don’t worry, a lot of your compatriots are suffering the same fate. Oh, […]
Neal Stephenson’s Snow Crash is a book that requires some warning for unsuspecting readers: it’s so wacked out and demented that it’s beyond over-the-top and way beyond anything you can take seriously. The book works because you eventually realize that Stephenson’s approach suits the future that he is […]
Now that the Matrix franchise has collapsed under its own hype and mystical mumbo-jumbo, it’s refreshing to see a well-executed cyberpunk tale in what is perhaps its ideal medium: the videogame. Because it’s not just about the style — the leather overcoats and the sunglasses — that shit […]