At Vulture, Matt Zoller Seitz writes about Zendaya: “Denis Villeneuve’s two Dune films are bookended by Zendaya’s face. It’s her voice as the Fremen warrior Chani that you see and hear in the opening flash-forward of the first movie, introducing viewers to the universe of 10191 wherein the […]
At Filmi Ladies Pitu Sultan and the Gutter’s own Beth Watkins are joined by Sai to discuss Indian film superstar, Rekha! “She’s one of Indian cinema’s most gifted actresses, a superb dancer, a fitness and beauty icon, a polyglot, a fashion queen, a queer icon, a legend who […]
Nocebo (Philippines / Ireland, 2022) is a blend of Gothic manor house horror, Southeast Asian witchcraft movies, and horror set in the world of fashion. Instead of focusing on connivances and cruelties within the world of haute couture fashion houses, like, say, Mario Bava’s Blood and Black Lace […]
At Smithsonian Magazine, Rose Eveleth writes about Janet Stephens, a hair dresser who recreates the styles of ancient Rome! “Meet Janet Stephens, a hairdresser from Baltimore. Like a superhero of the coiffe, she spends her days as a regular hair dresser, giving people layers and funky bobs. But […]
Giles Deacon talks about their designs for Gwendoline Christie’s Lucifer in Netflix’s Sandman series. There are also design sketches! See it all here.
One of my great loves in horror is when an inanimate object becomes sinister. Some of my favourites are the trucks and various electronics in Stephen King’s cocaine-fuelled opus, Maximum Overdrive (1986), the spooky mirror in Mike Flanagan’s Oculus (2013), and the diabolical tire and an insidious leather […]
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The Cultural Gutter 