Horror, like porn, is meant to evoke a physical reaction. They, alongside melodrama, form the trio of genres which are described as “body genres” by my favourite media theorist, Jenna Stoeber*. Stoeber argues that the body genres evoke emotional reactions of “fear, sadness, or arousal” that spill out […]
This week’s Guest Star Robert Aaron Mitchell a writer, blogger, videographer, and journalist. You can read his work at his Soldier of Cinema blog.. His short films and interviews with filmmakers and actors from George Romero to Iko Uwais and Jason Momoa to Jamie Lee Curtis an be […]
For Switcheroo Month, we were given basically infinite freedom to write about something outside our usual beat OR something reputable (rather than disreputable) OR both, and I barely knew what to do with myself. At first I thought I should tackle an Indian art film—parallel cinema, it is […]
April is Switcheroo Month at the Gutter. The time when Gutter Editors write something outside their domains. This year we’re writing about reputable art. ~~~ It’s hard to say what’s reputable and disreputable anymore. Things are not what they were when the Cultural Gutter was founded in 2003, […]
Sachin Hingoo kicks off this year’s Switcheroo Month at the Gutter. This year the Gutter’s editors are writing about reputable art rather than disreputable art for a whole month! Heads up: The following contains minor spoilers for A24’s Everything Everywhere All At Once (2022) and Paramount’s Star Trek: […]
When Neil Marshall’s directorial debut Dog Soldiers (2002), a half comedic piece about werewolves in Scotland, became a hit, he was, of course, encouraged to do it all over again. That’s how you make money. Marshall was reluctant though, not really wanting to be known as a horror […]
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The Cultural Gutter 