Tim Greiving writes about composer Miklós Rózsa at the Criterion blog. “Rózsa was the musical counterpart to Billy Wilder, Raymond Chandler, and James M. Cain, the film’s writers, and Double Indemnity the ur–noir score.” Read more here.
The Gutter’s own Carol writes about Phil Tippett’s Mad God! “Mad God (USA, 2022) opens with Wagnerian fanfare and a tower, the very image of the Tower of Babel, consumed by darkness. Then we are shown a piece of parchment with a quotation from Leviticus as Tippett’s Mad […]
CG Editor Emeritus Keith Allison interviews friend of the Gutter Ed Glaser about Glaser’s new book, How The World Remade Hollywood: Global Interpretations of 65 Iconic Films. Read it at Diabolique Magazine.
Our friends at the Feminine Critique Podcast catches up on recent watches and recent reads. Listen here!
Our friend Mike White at The Projection Booth interviews friend of the Gutter and film scholar Ed Glaser about his work and his new book: “On this special episode Mike talks with Ed Glaser, host of the Deja View YouTube series and author of How the World Remade […]
Film School Rejects has a groovy video essay by Patrick Willems about Sam Raimi and horror comedies. “Raimi’s ‘funhouse gauntlet’ approach to horror comedy ultimately relies on a varied bag of tricks, from exaggeration and escalation to seeing how much slapstick punishment Evil Dead star Bruce Campbell is able […]
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