At the Moveable Feast, Stephen Saito interviews Charlotte Colbert, director and co-writer of She Will (2022). “[Making a film is] amazing because it’s complete world building. The only thing it lacks is obviously smell and taste, which I don’t know–I’m pondering how to bring in. [laughs] But it’s […]
Enjoy the glory of the 1969 Academy Award presentation of the best costume design! Watch here. (Thanks, Holly!)
At the Verge, Adi Robertson writes about Vera Drew’s The People’s Joker (2022) and copyright law. “I’m not sure exactly how long a copyright term should be to balance artists’ welfare with a cultural commons. I’m not sure exactly what a clearer, more generous fair use system should […]
“Filmmakers Saul Williams and Anisia Uzeyman discuss honoring and following your instincts, changing mediums, and overcoming massive obstacles” creating the AfroFuturist musical Neptune Frost (Rwanda/USA, 2021). Read it here.
“While the top of the charts has been oligopolized, the bottom remains a vibrant anarchy. There are weird books and funky movies and bangers from across the sea. Two of the most interesting video games of the past decade put you in the role of an immigration officer and an […]
Film School Rejects has a groovy video essay by Patrick Willems about Sam Raimi and horror comedies. “Raimi’s ‘funhouse gauntlet’ approach to horror comedy ultimately relies on a varied bag of tricks, from exaggeration and escalation to seeing how much slapstick punishment Evil Dead star Bruce Campbell is able […]