“The Sultan’s Elephant was a show created by the Royal de Luxe theatre company, involving a huge moving mechanical elephant, a giant marionette of a girl and other associated public art installations. In French it was called, La visite du sultan des Indes sur son éléphant à voyager […]
For our anniversary, my wife and I got a really nice message from my family wishing us good things, including that we would “realize our dreams”. When I’d finished responding, I looked over at her and noticed she had a strange expression on her face. You might think […]
At Mostly Film, Blake Backlash writes about films “mixing of Hollywood’s Grande Dames with Grand Guignol.” “Such cinematic mixing of Grande Dames and Grand Guignol had its heyday in the second-half of the sixties, and such films are sometimes (more-or-less) affectionately known as psycho-biddy pictures. They tended to […]
At Bookview Cafe, Sherwood Smith reviews Rosmund Hodge’s Cruel Beauty and goes on to discuss the history and the many variations on the story of “The Beauty and the Beast.” “At my age, I find that the more interesting versions of the tale are not just about heroine […]
“A mid-20th century collaboration between artists, poets and printers gave rise to a unique book of surrealistic creatures accompanied by complementary typographic art poems.” See more at BibliOdyssey. (Thanks, Andrezo!)
Here are the films playing the Vanguard program at this year’s Toronto International Film Festival: Spring; Luna; Hyena; Goodnight, Mommy / Ich Seh, Ich Seh; Alleluia; The Duke Of Burgundy; Over Your Dead Body; Shrew’s Nest; They Have Escaped; Waste Land; The World of Kanako; and The Voices. […]
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The Cultural Gutter 