At Syfy, friend of the Gutter Sara Century writes about Lois Weber and Philip Smalley’s Suspense (1913) and its impact on horror ever since. Lois Weber and Philip Smalley’s Suspense might only clock in at barely over ten minutes, but for the earliest run of home invasion films, […]
At Tor.com, Emily Asher-Perrin writes about the women who are disbelieved in horror. “Why didn’t you believe her? She told you she heard something, or saw it out of the corner of her eye. She told you she was scared, that she didn’t want to go into that […]
The Guardian profiles filmmaker Agnès Varda. Nowadays, Varda is spending less time researching new ways of making cinema. Not because she hasn’t got the energy but because she believes she can do more groundbreaking work with art installations. In the end, she says, all art is about communication. […]
Steven Universe creator Rebecca Sugar talks about the critical need for LGBTQIA characters in children’s programming. “By including LGBTQIA content and characters in G-rated entertainment for kids, you tell kids when they’re young that they belong in this world. You can’t not tell them that. There can’t be […]
“Demon Knight was my first introduction to the Black Final Girl so I naturally watched this movie repeatedly on cable as a thirteen year old. Jeryline had some run-in’s with the law that landed her in a motel hell work release that would seal her fate for several […]
Showrunner Linda Bloodworth Thompson writes about her experiences with Les Moonves at CBS. “I never dreamed that I would become the first woman, along with my then-writing partner, Mary Kay Place, to write for M*A*S*H. I took pride in being part of a network that always seemed to […]
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The Cultural Gutter 