“Gilmore Girls probably owes its failure to attract widespread acclaim despite running for seven seasons to the traditional cultural devaluation of female-driven genre media, whether it comes in the form of Young Adult fiction, women’s fiction, or female-led Hollywood narratives. Given that Gilmore combined elements of all of the above, it’s no […]
“Beware that his shadow does not engulf you like a daemonic nightmare.” Of Vampyres, Terrible Phantoms and the Seven Deadly Sins (Nosferatu, 1922) “No man knows, till he experiences it, what it is to feel his own lifeblood drawn away into the veins of the woman he loves.” […]
At RogerEbert.com, Matt Zoller Seitz notes: “What of Gone Girl as a parable of gender relations, one that eventually takes an ugly misogynist turn? I’ve heard these charges leveled, and they have merit. You’ll understand what I mean once you’ve seen the movie. At the same time, though, as we […]
The BBC’s Steven McKenzie looks at Scotland’s influence on science fiction film and a wee bit of television. (Thanks, Matt!)
At Comics Alliance, Juliet Kahn writes about clothing and costumes in comics, getting Wonder Woman right and Marguerite Sauvage’s work in Sensation Comics #7. “The slightest hint of a damn given to the fashion featured in a comic book makes it immediately more immersive, more affecting, more resonant—because […]
At Mostly Film, Blake Backlash writes about films “mixing of Hollywood’s Grande Dames with Grand Guignol.” “Such cinematic mixing of Grande Dames and Grand Guignol had its heyday in the second-half of the sixties, and such films are sometimes (more-or-less) affectionately known as psycho-biddy pictures. They tended to […]
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The Cultural Gutter 