At The Daily Beast, Arthur Chu writes about GamerGate, Disco Demolition and Lilith Fair. “The biggest 1970s music bonfire was not done by a church, and the records they destroyed weren’t metal records. And they didn’t use kerosene and a match, they used explosives. And rather than singing […]
“Gilmore Girls probably owes its failure to attract widespread acclaim despite running for seven seasons to the traditional cultural devaluation of female-driven genre media, whether it comes in the form of Young Adult fiction, women’s fiction, or female-led Hollywood narratives. Given that Gilmore combined elements of all of the above, it’s no […]
“Beware that his shadow does not engulf you like a daemonic nightmare.” Of Vampyres, Terrible Phantoms and the Seven Deadly Sins (Nosferatu, 1922) “No man knows, till he experiences it, what it is to feel his own lifeblood drawn away into the veins of the woman he loves.” […]
At RogerEbert.com, Matt Zoller Seitz notes: “What of Gone Girl as a parable of gender relations, one that eventually takes an ugly misogynist turn? I’ve heard these charges leveled, and they have merit. You’ll understand what I mean once you’ve seen the movie. At the same time, though, as we […]
The BBC’s Steven McKenzie looks at Scotland’s influence on science fiction film and a wee bit of television. (Thanks, Matt!)
At Comics Alliance, Juliet Kahn writes about clothing and costumes in comics, getting Wonder Woman right and Marguerite Sauvage’s work in Sensation Comics #7. “The slightest hint of a damn given to the fashion featured in a comic book makes it immediately more immersive, more affecting, more resonant—because […]
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The Cultural Gutter 