At RogerEbert.com, Matt Zoller Seitz notes: “What of Gone Girl as a parable of gender relations, one that eventually takes an ugly misogynist turn? I’ve heard these charges leveled, and they have merit. You’ll understand what I mean once you’ve seen the movie. At the same time, though, as we […]
The BBC’s Steven McKenzie looks at Scotland’s influence on science fiction film and a wee bit of television. (Thanks, Matt!)
At Comics Alliance, Juliet Kahn writes about clothing and costumes in comics, getting Wonder Woman right and Marguerite Sauvage’s work in Sensation Comics #7. “The slightest hint of a damn given to the fashion featured in a comic book makes it immediately more immersive, more affecting, more resonant—because […]
At Mostly Film, Blake Backlash writes about films “mixing of Hollywood’s Grande Dames with Grand Guignol.” “Such cinematic mixing of Grande Dames and Grand Guignol had its heyday in the second-half of the sixties, and such films are sometimes (more-or-less) affectionately known as psycho-biddy pictures. They tended to […]
At the New Yorker, Jill Lepore considers the intertwining histories of women’s suffrage, feminism, Amazons and Wonder Woman. “It isn’t only that Wonder Woman’s backstory is taken from feminist utopian fiction. It’s that, in creating Wonder Woman, William Moulton Marston was profoundly influenced by early-twentieth-century suffragists, feminists, and […]
At Daily Maverick, Rebecca Davis writes in defense of swearing and, in particular, women who swear: “I don’t think there has been a single occasion on which I have used a swearword in a tweet and not been instantly reprimanded. Almost invariably, this linguistic dressing-down has been delivered […]
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The Cultural Gutter 