Debbie Moon ponders the “Hyper-Capable Wounded Sparrow” and Captain America: The Winter Soldier: “The Hyper-Capable Wounded Sparrow is always male, and he’s that guy who can kill a roomful of people without breaking a sweat – but who is massively emotionally vulnerable, has no social support system, and […]
Maureen Ryan writes about Tyrant and the lazy use rape as a trope. “I’m just so tired of violence against women being used as storytelling No-Doz–something to juice up the proceedings and then discard at will.”
The Czech science fiction comedy I Killed Einstein, Gentlemen (Zabil jsem Einsteina, panove) starts off with a fairly shocking scene, even by the standards of today: two bearded men locked in the throes of a passionate kiss. It’s a fake-out, we soon learn, a way to introduce both […]
Boing Boing has a gallery of photographer Laurent Seroussi’s images of women melded with insects. (Thanks, Chuck!)
Film School Rejects looks at the Judd Apatow’s comedies: “Apatow is not a denialist of misogyny within society. In fact, if you read the many personal #YesAllWomen anecdotes—all of his films verify that sad reality in a non-condoning, often vilifying way. Through non-traditional heroes, he navigates his audience to […]
Graveyard Shift Sisters talks with writer/director Kellee Terrell about representation and Black women in horror film . “A story about love, loss, regret and sacrifice could be told in any medium with any kind of backdrop. But I was never really interested in telling Aimee and Cynthia’s story […]
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The Cultural Gutter 