At The New Yorker, Inkoo Kang writes about turbulence in Hollywood. “To survey the film and television industry today is to witness multiple existential crises. Many of them point to a larger trend: of Hollywood divesting from its own future, making dodgy decisions in the short term that […]
At Nerds of Color, Bao Phi ponders Everything Everywhere All At Once (2022). “Consider how many risks the filmmakers took, how many plates they had in the air, and recognize their ambition. Think about how difficult it is to incorporate special effects convincingly into a modern film, and […]
At Vulture, Sam Adler-Bell considers recent ‘Eat the Rich ‘ movies including The Menu (2022), Triangle of Sadness (2022), Glass Onion (2022), and Parasite (2019). “The true villains of our time are ensconced in cocoons of comfort, immune to accountability. They enjoy their lives; they are not burdened […]
At Vulture, Angelica Jade Bastíen writes about Nia DaCosta’s Candyman (2021). Even if you disagree with her analysis, it’s worth reading and pondering. “Candyman is the most disappointing film of the year so far, limning not only the artistic failures of the individuals who ushered it to life, […]
At Lioness, friend of the Gutter Kerry Gately Fristoe suggests Classic Hollywood films featuring great female characters!
Friend of the Gutter Jay Patrick shares some Christmas movie suggestions at the Netflix DVD blog. “‘Tis the season for festive libations, holiday cheer, crackling fires, and viewing your roster of holiday movies. Many of us have these yearly essentials, but that doesn’t mean we can’t add some […]
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The Cultural Gutter 