The Gutter’s own Sachin Hingoo writes about short films of this year’s Toronto After Dark Film Festival. “What keeps me coming back to support After Dark, now in its 18th year, is its commitment to incubating up and coming talent through its Shorts program. Each year, After Dark […]
It’s October and as I lie nestled snug in my bed, visions of spooky things dance in my head! Fine, that’s all year round, but in the month of Spook-o-ween it’s legit, y’all. I’m more about the creepiness than the gore, but I’m willing to deal with some […]
The Gutter’s own Carol Borden watched Neil Ferron’s Fishmonger and has some thoughts: “Neil Ferron’s Fishmonger (USA / Ireland, 2023) has fun with folk and fairy tales. And it demonstrates a tremendous love of the gross. The film revels in the crude and the vulgar in its practical […]
The Gutter’s own Carol is reporting back from the Fantasia International Film Festival with a review of Legions (Argentina, 2022): When Fabian Forte’s Legions (Argentina, 2022) opens, Antonio Puyjo (Germán De Silva) has been committed to a psychiatric hospital. Antonio is proud of his bloodline, his family and […]
At Certified Forgotten, friend of the Gutter Christine Makepeace writes about The Final Girls (2015). “Summer camp slashers are a staple of the horror genre. From Friday the 13th to Sleepaway Camp to The Burning, choosing this adult-free setting for your bloodbath is so ubiquitous that it’s become […]
At RogerEbert.com, Matt Zoller Seitz writes on the life and career of Clarence Williams III. “His ferocity burned holes in the screen, and filmmakers took advantage of that, casting him in roles that shook up the main character’s preconceived notions, rattled their complacency, and otherwise pushed their buttons.”
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