Friend of the Gutter Michelle Kisner writes about Nia DaCosta’s Candyman (2021)! “This new take on Candyman is a direct response to the first film, a mirror reflection running parallel with the themes of the original work. Where the 1992 film is from the viewpoint of a white […]
At Jumpcut Online, Fiona Underhill writes about Gothic horror and recent films directed by women. “Madness and melodrama, obsession, suppression and repression – the questioning of sanity, gas-lighting, confusion over what is real or unreal, not knowing who to trust are also huge elements of Gothic fiction (and […]
Bitches on Comics talks about Wynonna Earp. “Today’s episode is all about Wynonna Earp: the TV series, the comic, the woman, the fandom. We talk about the power of the queer representation on the series, why somebody should make bank by bringing it back, and the exceptional exploration […]
At Certified Forgotten, friend of the Gutter Christine Makepeace writes about The Final Girls (2015). “Summer camp slashers are a staple of the horror genre. From Friday the 13th to Sleepaway Camp to The Burning, choosing this adult-free setting for your bloodbath is so ubiquitous that it’s become […]
This week, the Gutter’s own Carol is attending of conclave hosted by mysterious figures in scarlet robes. She’ll be back next month! In the meantime, enjoy this essays she wrote on The Sinister House of Secret Love, aka, Secrets of Sinister House… ~~~ Running from 1971 to 1974, […]
The line up for this year’s Midnight Madness program at the Toronto International Film Festival has been announced and it looks pretty swank indeed. It includes MM alumna Julia Ducornau’s Titane; Kate Dolan’s You Are Not My Mother; Arsalan Amiri’s Zalava; Jean Luc Herbelot’s Saloum; Rob Savage’s Dashcam; […]
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The Cultural Gutter 