At Gayly Dreadful, Terry Mesnard reviews Amy Seimetz’s She Dies Tomorrow (2020). “She Dies Tomorrow is the sophomore feature from Amy Seimetz and it is a doozy of experimental cinema and existential dread. It defies typical narrative progression, instead flitting from character to character as whatever ennui this […]
At SyFy Fangrrls, Stephanie Williams writes about Justin Dillard’s Sweetheart (2019). “The horror genre can be a powerful vehicle to tell the struggles of marginalized groups of people. When these stories are created by the very people who know these struggles in their everyday lives, the impact is […]
“I had a chat with Kathe [Koja]…about the unexplored horror elements in Wuthering Heights, the legacy of Mary Shelley’s Frankenstein, and the trailblazing work of Shirley Jackson, particularly The Haunting of Hill House. Enjoy this in-depth exploration of the legacies of badass women in horror with someone who should need no introduction in that […]
The Gutter’s own Beth joins Amrita, Asim and Sujoy on Khandaan: A Bollywood Podcast to discusss Anvita Dutt’s gothic horror movie, Bulbbul., as well as Moonlighting, Dev Anand’s CID, Aarya, Denzel Washington, and Dev Patel in David Copperfield !
At Horror Home Room, Alishya Almeida writes about class, horror and “the abject” in Bong Joon-ho’s Parasite (2019). “In a cosmos ruled by capitalism, the ways in which wealth and labor interact become a matter of haunting. Bong’s path of storytelling highlights the unequal and unjust experiences that […]
At Criterion, Steven Ryfle writes about director Ishiro Honda and Godzilla. “Ishiro Honda gathered his crew and gave them an ultimatum. He was about to put his career at risk, and he would only work with those who approached his current project—a movie about a radiation-spewing prehistoric reptile […]
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