Yojimbo on The Projection Booth
Our friends at The Projection Booth watch Yojimbo and discuss it, Fistful of Dollars, Red Harvest and so much more!
Superargo! Help Me!
The Mexico of lucha libre films is just about as close to my version of the Promised Land as you can get. I’d gladly turn in our world of turmoil for a world where the biggest news comes when pro wrestlers have to thwart the diabolical scheme of […]
L’Eclisse: The Living and the Dead”
At Streamline, friend of the Gutter Kimberly Lindbergs writes about Michelangelo Antonioni and George Romero. “While recently rewatching Michelangelo Antonioni’s L’Eclisse (aka The Eclipse, 1962) I received the sad news that George Romero had died. The celebrated Italian art house auteur and the American director behind the hugely […]
Mezzanotte: Cinema, Sin, and Swinging Style
The Gutter’s own Keith has started a new website, Mezzanotte, dedicated to cinema, sin, and swinging style. He has a swank series about sinister goings on in silent cinema as well as an ongoing series on giallo. Friend of the Gutter Todd Stadtman has contributed an article about […]
“The Paintings in the Parlor of the Bates Motel”
At Americana, Katrina Powers writes about the paintings in Alfred Hitchcock’s Psycho (1960). “In the original 1960 trailer for Psycho, Alfred Hitchcock notifies us that the parlor of the Bates Motel was Norman Bates’ (Anthony Perkins) “favorite spot,” then suggests that we visit the parlor with him. Once […]
The Complicated Legacy of Dr. Seuss’ Political Cartoons
At the Atlantic, Sophie Gilbert has a piece on Dr. Seuss’ anti-Fascist cartoons and their complicated legacy.
