Travis Stevens’A Wounded Fawn (USA, 2022) is entirely my thing. It’s a nice mix of art house and genre, which is one of my favorite things. It blends fine art—in this case the art of Surrealists (and friends) Leonora Carrington, Remedios Varo and Kati Horna—1970s horror/giallo, Classical Greek […]
At Biff Bam Pop, the Gutter’s own Carol Borden writes about one of her favorite horror movie performances–Peter Lorre in Mad Love (1935)! “M (1931) might be Peter Lorre’s best performance and role, but Mad Love (1935) is my favorite. Lorre is an actor who is probably best […]
I attended the 2022 Fantasia International Film Festival remotely, but with a press card in my cap and a matcha latte in my hand. I was disappointed I did not get a chance to see the movie I was most looking forward to, Wai Ka-Fai’s new film starring […]
Carol’s piece on Mattie Do’s The Long Walk (2019) contains plot details. She doesn’t think they’d spoil the movie, but now you know. ~~~ The Long Walk (2019) is a slow-burning blend of genres. It’s a movie that requires some patience (and possibly a second viewing) as it […]
Our friends at the Feminine Critique podcast discuss Laid To Rest (2009) and Murder, She Wrote, “Halloween Kills!” “Break out of that deadbox: you’ve got things to do! It’s time for a very special episode where Christine and Emily are joined by delightful Texans Angela & James to […]
The pandemic has resulted in a year of film festivals here at the Gutter, including the Toronto International Film Festival, Hong Kong Filmart and now Nightstream and the Brooklyn Horror Festival. The Gutter’s own Angela and I attended Nightstream with press cards in the bands of our fedoras […]