Dr. Nerdlove writes about The Punisher and Frank Castle’s broken masculinity. “Like the incredible Jessica Jones, Marvel’s The Punisher examines and elevates a character and a genre defined by tropes and clichés. Despite being one in a long series of knock-offs of the Lone Vigilante genre – codified in its modern […]
At Black Nerd Problems, Tara Betts breaks down all the Black lit featured in Netflix’s Luke Cage. “My two obsessions entwined on this show — hip hop and books. Books are such a significant part of the dialogue in key scenes, and how often does any show feature […]
“This database probing told me three things: 1) Netflix had an absurdly large number of genres, an order of magnitude or two more than I had thought, 2) it was organized in a way that I didn’t understand, and 3) there was no way I could go through […]
“There’s nothing wrong with G-rated movies, as long as there’s lots of sex and violence.” – Elvira, Mistress of the Dark Once upon a time, long, long ago, when Netflix and TiVo were just a twinkle in the ether, there was a boy who loved going to the […]
The Fractured Atlas has an interesting piece on Netflix’s House of Cards, the Nutcracker, data analysis and driving new content development in the arts. And Andrew Leonard has more at Salon: “Netflix’s data indicated that the same subscribers who loved the original BBC production also gobbled down movies […]
Abigail Nussbaum over at Asking the Wrong Questions examines why everyone hates Prometheus so much (including this great line “Shaw… seems more like Aliens‘s Burke than a Ripley”). Here’s Shamus Young at Twenty-Sided on The Slow Death of Netflix: “I have money to spend and movies I want […]
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The Cultural Gutter 