At Film School Rejects, “Joe Alves sets the Record Straight on the Supposedly Inoperable Shark of Jaws.”
Esquire looks into the cinematic and television history of tying clues and insights together with yarn, pushpins, tape, photographs, newspaper articles, maps, drawings and post-it notes. There’s some discussion of production design, too!
Refinery 29 has a profile on Moonlight, Lemonade, Creed and Fruitvale Station designer Hannah Beachler. ‘”Everything you’re seeing on screen is the production designer, outside of the camera work and lighting,” she explains. “I’m basically the architect of a movie’s visuals.”‘ (Thanks, Sarah)