Sometimes you encounter a movie late at night. A movie you didn’t even know existed before. And you discover that the movie had basically disappeared for 30 years. Cindy Sherman’s Office Killer was supposed to be the first in a series of low budget art house horror movies. It premiered at the Toronto International Film Festival’s Midnight Madness program in 1997. It was picked up by Miramax, released in a limited run of art house theaters and then it just disappeared.
The Gutter’s own Carol Borden isn’t available this week. Maybe she’s tracking down leads. Maybe she’s lying on a cot in some tattered hotel watching the ceiling fan and thinking about the fallibility of human nature. Maybe she’s looking for answers at the bottom of a tumbler of […]
Lauren Collins considers the curious case of Stéphane Bourgoin. “Stéphane Bourgoin became famous through his jailhouse interviews with murderers. Then an anonymous collective of true-crime fans began investigating his own story.” Read more here.
Friend of the Gutter and Patricia Highsmith scholar Kate Laity has some thoughts about the new Netflix adaptation of Highsmith’s The Talented Mr. Ripley, and on Ripley himself. “I had equal parts of anticipation and dread for this new adaptation of Patricia Highsmith‘s The Talented Mr Ripley especially […]
It is time once again for the end of year lists. When people share the best in film, television, games, comics, and basically all things. I am still terrible at this. So I offer instead an unranked, alphabetical list of some of the things I liked and a […]
The winds of November are blowing, my friends, chilling our souls in the Musuracan shadows and grayscale skies. Making us hanker for some noir, but grieving over our options on long autumnal nights. Maybe you’ve seen Double Indemnity (1944), The Big Sleep (1946), Out of the Past (1947), […]
The Cultural Gutter 